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Stay in the know with our newsletter. My wife and I were early in our bluegrass journey at Pickin the the Pasture , near Lodi, New York, on a hill high above fabled Lake Cayuga, with Cornell University sitting ten or twelve miles south of us, but without a hint of Ivy League stuffiness anywhere near. He leapt off, carrying his banjo, and bounded on stage.

His band appeared from the wings of the stage, and we had our first introduction to Little Roy Lewis and the Lewis Family.

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I had no idea that I was seeing an icon of bluegrass music and bluegrass gospel who had been touring the country, and the world, with his famed family for over 60 years, entertaining millions and sharing their deep abiding faith dished up with singing, clowning, and commitment. It was my first introduction to some of the deepest roots remaining in this music.

Roy Sr. Their first performance was at a Woodmen of the World convention in , and soon they were appearing on a weekly television show originating in nearby Augusta. Little Roy began playing the banjo when he was six years old, and soon became the center of the band, more than capable on multiple instruments, a superb clown, and, still, underappreciated as one of the finest banjo players in the business.

He and Earl Scruggs were lifetime friends, and his collection of Scruggs stories is perhaps unsurpassed. Some years ago we were at a festival, since gone the way of many bluegrass festivals, in Kissimmee, Florida. The Bluegrass Sweethearts were a couple who worked as vendors at a number of festivals up and down the East Coast.

They sold musical instruments, gear, and CDs as well as providing minimal setup and repairs. There was often a jam going on at their booth, too.

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Roy came over, picked up a Deering Goodtime banjo, often the first banjo for many players, and joined in. This, of course, drew a crowd to listen to the jam. Today, on the cusp of his 76th birthday, Little Roy Lewis is still active and irrepressible as ever.