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Lord snowden photographer biography template word

Lord Snowdon never aspired to "high art," whatever that is. He claimed it was his interest in gadgets that first drew him to cameras, but he wouldn't commit to a career behind the lens until pursuing, then flunking out of, an architecture program. Even then, he flatly refused to acknowledge his work as art. After the Sunday Times published an investigation he'd worked on with journalist Marjorie Wallace, she recalls him writing to her, "Darling, thank you so much for the words.

I just take the snaps.

Lord Snowdon is Koto Bolofo's photographic portrait of legendary British photographer Antony Armstrong-.

This attitude may have been a holdover from the very beginning of his career, when he was just Antony Armstrong-Jones, an upper-middle-class son of a barrister and a remarried Countess, when he'd document society events at the "grand houses. Armstrong-Jones eventually found his way to the front door. If he rejected high art, high status was much more up his alley.

Snowdon seemed to revel in the notoriety his marriage to Princess Margaret afforded him. And it was sprinkled atop of his already charismatic personality. His newfound fame as Princess Margaret's husband reinforced something that had already been percolating in the public imagination: the photographer as star. The London creative set in the s had a tendency to treat rising lensmen sadly, they were mostly men with the same renown as actors, artists, and filmmakers—even as Snowdon continued to insist, with a grin, that he was just a "snapper.

Lord Snowdon Photographer is an extraordinary literary masterpiece that explores fundamental ideas, highlighting aspects of human existence that connect.

Snowdon would use status to his advantage in both his life and his work, and after his death in , at the age of 86, he left behind an impressive range of photographs, not just in the royal archives or in the pages of Vogue , but in newspapers and documentary monographs, too. It's not possible to separate Snowdon's oeuvre from his royal biography—nor would he want that to happen.

He knew his reputation was inseparable from that of the Windsors, Kinmonth says, and "it was something he was much more delighted with than disappointed by. He reveled in the attention it brought. During their undercover investigations, try as Wallace might to slip him in to hotels unnoticed, "when he arrived at the hotel and they hadn't got the red carpet, he would ask for the visitor's book, and then sign with a flourish: Earl of Snowdon.